Object, concept, experience? What is it we’re collecting?

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Permanence/Impermanence: collecting and archiving contemporary clay practices

The three-day conference addresses how artworks in the ‘expanded field of clay’ can be made accessible to current and future audiences. These works may be ephemeral, site-specific, participatory, or live, thereby posing significant challenges for museums. It takes place in the context of important recent work on collecting performance, installation and live art (Tate, 2018-22; […]